6 Userkritiken zum Film Climax von Gaspar Noé mit Sofia Boutella, Romain Guillermic, Souheila Yacoub - inclusive-sexual-education.eu Produktion. Frankreich Bild- und Textmaterial finden Sie auf unserem Presseserver. Presse. Filmförderung. Climax nimmt eine wahre Begebenheit von auf und zeigt eine Als solchen kann man nämlich den Beginn des Films betrachten, als sich.
Climax Movie "Der entspannteste Dreh, den ich je gehabt habe"
21 junge Tänzerinnen und Tänzer begeben sich zum Proben auf ein abgelegenes Gelände. Um sich besser kennenzulernen, veranstalten sie eine Party. Der Sangria fließt. Doch etwas wurde scheinbar in das Getränk gemischt, denn alle stehen plötzlich. Climax ist ein französischer Film von Gaspar Noé aus dem Jahr Inhaltsverzeichnis. 1 Handlung; 2 Veröffentlichung; 3 Kritiken; 4 Trivia; 5 Weblinks. "Climax" - Film der Woche Dieser Abgrund ist der Höhepunkt Die Prämisse des Films: Eine Gruppe junger Pariser Tänzerinnen und Tänzer. Climax. 1 Std. 36 inclusive-sexual-education.euösische Filme. Sinnliche Feierlichkeiten einer dieses Films in Anlehnung an Elísabet Benavents Bestseller-Romanreihe. In der letzten Szene von Gaspar Noés neuem Film “Climax” träufelt sich eine Frau flüssiges LSD ins Auge. Für sie beginnt der Trip erst, der für den Zuschauer in. 6 Userkritiken zum Film Climax von Gaspar Noé mit Sofia Boutella, Romain Guillermic, Souheila Yacoub - inclusive-sexual-education.eu In Gaspar Noés Film Climax wird eine Gruppe Tänzer auf mysteriöse Weise unter Drogen gesetzt und stürzt daraufhin in eine höllische Erfahrungswelt.
Produktion. Frankreich Bild- und Textmaterial finden Sie auf unserem Presseserver. Presse. Filmförderung. Climax. 1 Std. 36 inclusive-sexual-education.euösische Filme. Sinnliche Feierlichkeiten einer dieses Films in Anlehnung an Elísabet Benavents Bestseller-Romanreihe. In Gaspar Noés Film Climax wird eine Gruppe Tänzer auf mysteriöse Weise unter Drogen gesetzt und stürzt daraufhin in eine höllische Erfahrungswelt. Retrieved 16 December Use the HTML below. There are no approved quotes yet for this movie. Retrieved 23 November Nov 19, Bibi Und Tina Der Ganze Film Sitges Film Festival. British Board 3 Stunden Film Classification. Alas, with the notable exception of the empathetic Boutella, the cast Annabell Stream Climax consists primarily of dancers who are not actors. The final ten minutes consists of a confusing upside-down camera angle, a scathing red light, and more antic writhing on the floor with the occasional sexual copulation. Choose an adventure below and discover your next favorite movie or TV show.
Climax Movie DOŁĄCZ DO TWÓRCÓW VideoClimax - Aphex Twin Scene
Fandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.
How did you buy your ticket? View All Videos 1. View All Photos Movie Info. When members of a dance troupe are lured to an empty school, drug-laced sangria causes their jubilant rehearsal to descend into a dark and explosive nightmare as they try to survive the night -- and find out who's responsible -- before it's too late.
May 7, Sofia Boutella Selva. Romain Guillermic David. Souheila Yacoub Lou. Kiddy Smile Daddy. Claude Gajan Maull Emmanuelle. Giselle Palmer Gazelle.
Taylor Kastle Taylor. Thea Carla Schott Psyche. Edouard Weil Producer. Vincent Maraval Producer. Brahim Chioua Producer. Richard Grandpierre Producer.
Denis Bedlow Film Editor. March 16, Full Review…. February 12, Full Review…. March 15, Rating: C Full Review…. October 21, Full Review….
July 27, Rating: 4. July 20, Rating: 2. February 25, Full Review…. View All Critic Reviews Apr 17, Ed K Super Reviewer. Nov 19, I honestly have no idea who could enjoy Climax.
I have watched dozens of movies where I knew it wasn't for me but I could at least fathom some appeal to a select viewer. Climax is the rare film where I cannot even fathom any person enjoying it, because to even attempt to enjoy it on its fever dream level it purports would only lead to disappointment.
Is the very act of titling a movie called Climax with no climax itself a post-modern jape? Is that it?
I'm confounded by this monotonous experimental triviality. The plot: a Parisian group of dancers is practicing in an old school building one s wintry night.
One of the members spikes a bowl of sangria with LSD. The dancers unwittingly get high, freak out, and lash out, leading to one long sordid night of tumult.
That's it, folks. Firstly, Climax is incredibly, unbearably, crushingly tedious. It's 97 minutes that could literally be condensed into a music video for a three-minute song as far as substance is concerned.
Apparently Noe was working off of a five-page script note to readers: typically, in screenwriting terms, one page equals one minute of movie , so it's no surprise that the overwhelming majority of this movie feels empty.
The first six minutes or so are watching boring interviews of the various dance troupe members answering mundane questions.
It's still difficult to attach impressionable personalities or points of distinction for them beyond the superficial Tall Blonde, Girl with Glasses, etc.
After that it's an extended dance sequence, then about twenty minutes of chit chat where the dancers are improvising, and then we have another extended group dance, and then we get to the fateful spiked punch.
What I've just described is the first 45 minutes of the movie, also known as half of the film, and it could have all been removed without missing a beat.
That's a serious storytelling problem. Oh, I hear others preparing the defense, the movie is intended to be an experience and not a story.
If that's the case I need more of an experience. Noe described the first half of Climax as a "roller coaster" but it feels more like the long wait in line and then the brief five minutes of actual activity.
Even the opening dance sequence, while energetic, is less than extraordinary. It's not exactly a sequence that would wow me any more than a deleted scene from a direct-to-DVD Step Up sequel.
Climax fatally errs by, of all things, restraint. I could accept the slow buildup, the tedium, and even the paper-thin characters if, and that's a big if, Noe was able to pull out all the stops with his freak-out finale and just went bonkers.
However, it's not quite the same when we don't also experience the hallucinations and madness befalling our dancers. Instead we watch them pace around and scream, cry, sometimes writhe, sometimes fall down, sometimes fall down and writhe, sometimes fall down and writhe and cry, and that's about the extent.
It can be downright embarrassing to watch especially as Noe's penchant for tracking shots makes the performance takes so agonizingly long.
There are brief moments of unpredictability where the dancers become violent and paranoid, but these are fleeting and we're back to watching people we don't care about scream about imaginary things.
Imagine if Noe let the audience in on these personal, psychedelic, and monstrous drug trips. Imagine how much more visually alive that would be and also how much more it would connect us with the characters, perhaps linking their hallucinations to personal traumas and anxieties.
I've had friends discuss going along for the ride with Climax, but what ride does it even offer? The final ten minutes consists of a confusing upside-down camera angle, a scathing red light, and more antic writhing on the floor with the occasional sexual copulation.
At that point, I had long lost any interest to even attempt to decipher the screen. None of these characters matter, so I kept waiting for the eventual bad fates to fall upon them as the movie ramped into its horror section but Climax doesn't even do this.
I was expecting things to get progressively worse and take on a tragic momentum of escalating mistakes. I was expecting something and all I got was an extended music video where the extras had taken over, trying to convince me that their little spheres of drama were worth following there were not.
They dance and drink sangria made by the troupe manager, Emmanuelle. The diverse group has several personal issues and share gossip about one another during the celebration.
As the party progresses, the dancers get increasingly agitated and confused and eventually come to the conclusion that the sangria has been spiked with LSD.
At first they accuse Emmanuelle since she made the drink, but she points out that she drank it and is also suffering from its effects.
Taylor, already resentful towards Omar for dating his sister Gazelle, points out that Omar, a non-drinker, has not touched the sangria and accuses him of being the one responsible.
The group gets angry and locks him outside the building in freezing conditions. Emmanuelle sees her young son, Tito, who is present at the rehearsals, drink the sangria and locks him inside an electrical room to protect him from the agitated dancers.
Selva goes to the room of her friend Lou, where Lou confesses that she did not drink because she is pregnant. However, Dom, strongly affected by the drug, enters the room, accuses Lou of spiking the drink and kicks her several times in the stomach; Lou, hurt and in great pain both emotional and physical, passes through an altercation between Alaia and Jennifer, during which Jennifer's hair is set aflame after Alaia gets physically aggressive due to Jennifer's refusal to share her cocaine.
A frenzied Lou confronts Dom with a knife on the dance floor, but the group, all heavily affected by the LSD at this point, turns on her and accuses her of having spiked the drink.
Suffering an emotional breakdown, Lou ends up beating her own stomach and slices herself superficially with the knife on her face and arm after the group encourages her to kill herself.
Emmanuelle, who has lost the key to the electric room in which Tito is locked, recklessly tries to free her son. When the school suddenly loses power, she realises that Tito—who is no longer screaming from the other side of the door—has electrocuted himself.
Ivana brings a heavily hallucinating Selva to Ivana's room where the two take shelter and have sex. David discovers the two and is kicked out.
David tries to enter DJ Daddy's room but is also evicted. Rejected, David encounters Gazelle as her brother, Taylor, attempts to have sex with her.
Gazelle flees from Taylor and stumbles into the central hall where the remaining dancers have truly lost their minds, dancing, writhing on the floor, chanting in tongues, having sex with one another, or beating each other up.
Taylor catches up to Gazelle and takes her to his room while David is attacked by another dancer who slams his head against the floor.
When police arrive the next morning, they find a majority of the dancers unconscious. Omar has frozen to death outside while Emmanuelle has killed herself outside the electrical room out of grief.
Gazelle wakes up next to Taylor, seemingly having forgotten the evening. A bloody Lou exits the building, and writhes outside in snow laughing uncontrollably.
The film is loosely based on the true story of a French dance troupe in the s who had their alcoholic beverage spiked with LSD at an after-party ; however, no further incidents took place during the actual event, unlike in the film.
I was amazed by these young kids dancing like they were possessed by evil forces. He stated that the film was "all about people creating something together, and failing in the second half.
Mankind can create big things. And then with the influence of alcohol, or some accident, everything falls.
And I liked sangria, it was the first alcohol I ever drank. It's mostly about a collective screw-up. We started casting and preparing the movie at the beginning of January , and we were shooting one month later in an abandoned school in a suburb in Paris.
The film was cast over the month of January As vogue and krumping are largely individual dances, most of the cast had no experience dancing as a group, or in synchronization.
These guys, who are usually very poor, become stars onstage once a month in a ballroom or in a battle.
Climax was shot in 15 days in an abandoned school in Paris. When I met the Russian girl dancer and I asked Sofia if she minds ending up with her, she didn't But everything was shot in chronological order, which keeps the door open for any kind of re-writing.
People were not getting wasted. I asked them what you would enjoy doing in the movie? How would you want to shock an audience? I would never ask them to do, what they would not like doing.
Tell me who you want to kiss? Who you want to smash? Who you want to insult? And I would ask the other person, would you mind if this person wants to do this or that.
And of-course the reciprocal person was welcome to [propose] anything. Get some streaming picks.
In the mid 's, 20 French urban dancers join together for a three-day rehearsal in a closed-down boarding school located at the heart of a forest to share one last dance.
They then make one last party around a large sangria bowl. Quickly, the atmosphere becomes charged and a strange madness will seize them the whole night.
If it seems obvious to them that they have been drugged, they neither know by who nor why. And it's soon impossible for them to resist to their neuroses and psychoses, numbed by the hypnotic and the increasing electric rhythm of the music.
While some feel in paradise, most of them plunge into hell. Written by Anonymous Two. An awesome and imaginative piece of cinema, with a frenzy of pinnacles, peaks and spasms, from a visionary and pioneer few of us could comprehend.
Looking for something to watch? Choose an adventure below and discover your next favorite movie or TV show. Visit our What to Watch page.
Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites.
Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews.