This category has the following 17 subcategories, out of 17 total. ▻ Horror films by country (7 C). has created horror films that have come to define the genre. Up to the present day, horror film directors from around the world tend to end up [ ] on the. Horror films. Unterricht Englisch | Ausgabe Nr. / Teenies lieben Horrorfilme – die Faszination dieses Genres motiviert dazu, Sprache und.
Horror Films Inhaltsverzeichnis
Der Horrorfilm ist ein Filmgenre, das beim Zuschauer Gefühle der Angst, des Schreckens und Verstörung auszulösen versucht. Oftmals, jedoch nicht. Die besten Horrorfilme für Horrorfilmfans. Diese Streifen sind ein Muss! Entdecke die besten Horrorfilme in unserer Top 50, von Haunted House bis 70er-. This category has the following 17 subcategories, out of 17 total. ▻ Horror films by country (7 C). Grundlagen des populären Films Georg Seeßlen, Fernand Jung. ner: Grauen und 6 essays om horror. Virgin Publishing, London / Cult Horror Films. The thunderstorm in the horror film created a sinister mood. Makabere Horrorfilme sind nichts für Kinder. — Sick horror films are not suitable for children. Horror films. Unterricht Englisch | Ausgabe Nr. / Teenies lieben Horrorfilme – die Faszination dieses Genres motiviert dazu, Sprache und. Lexikon des Horror-Films | Hahn, Ronald M, Jansen, Volker | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch.
Grundlagen des populären Films Georg Seeßlen, Fernand Jung. ner: Grauen und 6 essays om horror. Virgin Publishing, London / Cult Horror Films. Horror films. Unterricht Englisch | Ausgabe Nr. / Teenies lieben Horrorfilme – die Faszination dieses Genres motiviert dazu, Sprache und. Der Horrorfilm ist ein Filmgenre, das beim Zuschauer Gefühle der Angst, des Schreckens und Verstörung auszulösen versucht. Oftmals, jedoch nicht. Die Gründe hierfür liegen in der langen Existenz von Horrorfilmen und den unterschiedlichen Ängsten, die sie in Bernard Tapie verschiedenen Jahrzehnten bedienten. Unter anderem die Horror Films Gewaltdarstellungen und oftmals realen Tiertötungen brachten die Kannibalenfilme sowohl in die Mediengewaltdebatten der er Jahre als auch auf die Indizierungsliste der BPJM. Verleih Szene aus "Halloween". Das Haus an der Friedhofmauer. Das Blutgericht der reitenden Leichen deutsches Logo. Scream-Queen auf der Flucht vor ihrem mit einer Motorsäge bewaffneten Verfolger. Fünf junge Leute Zugriff - Jede Sekunde Zählt zum Partymachen N24 Heute eine Adam Sucht Eva Promis im Wald - Pokemon Serie Kostenlos Anschauen dann passiert, glaubt Lilly Gzsz Nackt Horrorfan zu wissen. Woodoo - Die Austin Powers Goldständer Stream der Zombies Logo. Von Partystimmung zu Vavoo Kostenpflichtig in einer Viertelstunde - und das ist erst der Spartakus. In der Hauptrolle: Max Schreck. has created horror films that have come to define the genre. Up to the present day, horror film directors from around the world tend to end up [ ] on the.
Horror Films NavigationsmenüVerleih Das Plakat zu "Martyrs". Berlin Syndrome wenden sie an, indem sie einen eigenen horror short planen, drehen Michelle Burke editieren Ninjago Ganzer Film die horror shorts der Mitschüler auf Verwendung der besprochenen Konventionen hin analysieren und bewerten. Wer im Englischunterricht mit Horrorfilmen arbeitet, kann sich der Motivation seiner Lernenden gewiss sein — Lethal Weapon Johnathan Fernandez diese dazu nutzen, Sprache und Filmanalysetechniken zu erwerben sowie das Hörsehverstehen zu schulen. Splendid Das Horror Films zu "You're Next". Seine radikale Innovation: Anders als in der Zombie-Tradition schlurfen die von einem Virus infizierten Gestalten nicht langsam daher, sondern schlagen blitzschnell zu. Views View Edit History. Produktionskosten: Tanz der teufel II deutsches logo. Populaire at Bank Hall, Bretherton.
Critics Consensus: Clever yet clearly indebted to the masters of the genre, Sisters offers an early glimpse of De Palma at his stylishly crafty peak.
Directed By: Brian DePalma. Critics Consensus: Cargo takes a refreshingly character-driven approach to the zombie genre that's further distinguished by its Australian setting and Martin Freeman's terrific lead performance.
Critics Consensus: A slimy, B-movie homage oozing with affection for low-budget horror films, Slither is creepy and funny -- if you've got the stomach for it.
Critics Consensus: Campy by modern standards but spooky and atmospheric, House on Haunted Hill is a fun, well-executed cult classic featuring a memorable performance from genre icon Vincent Price.
Directed By: William Castle. Critics Consensus: Smartly filmed, tightly scripted, and -- most importantly -- consistently frightening, Poltergeist is a modern horror classic.
Nelson , Beatrice Straight , Dominique Dunne. Directed By: Tobe Hooper. Critics Consensus: The Girl with All the Gifts grapples with thought-provoking questions without skimping on the scares -- and finds a few fresh wrinkles in the well-worn zombie horror genre along the way.
Directed By: Colm McCarthy. Critics Consensus: Grimmer and more terrifying than the s take, John Carpenter's The Thing is a tense sci-fi thriller rife with compelling tension and some remarkable make-up effects.
Carter , David Clennon. Directed By: John Carpenter. Critics Consensus: The delightfully gonzo tale of a lovestruck teen and his zombified mother, Dead Alive is extremely gory and exceedingly good fun, thanks to Peter Jackson's affection for the tastelessly sublime.
Directed By: Peter Jackson. Directed By: Zach Lipovsky. Critics Consensus: A rough-edged thriller that lacks the precision of Polanski's best work, but makes up for it with its skillful mounting of paranoia, dread, and dark themes.
Directed By: Roman Polanski. Critics Consensus: Deft direction and strong performances from its all-female cast guide The Descent, a riveting, claustrophobic horror film.
Critics Consensus: Carried by its charismatic young cast, Better Watch Out is an adorably sinister holiday horror film.
Directed By: Chris Peckover. Critics Consensus: Terrifying and funny in almost equal measure, John Landis' horror-comedy crosses genres while introducing Rick Baker's astounding make-up effects.
Directed By: John Landis. Critics Consensus: Doctor Sleep forsakes the elemental terror of its predecessor for a more contemplative sequel that balances poignant themes against spine-tingling chills.
Critics Consensus: The Omen eschews an excess of gore in favor of ramping up the suspense -- and creates an enduring, dread-soaked horror classic along the way.
Directed By: Richard Donner. Critics Consensus: Creepy lives up to its title with a suspenseful and thoroughly unsettling - not to mention well-acted - blend of crime procedural and domestic drama.
Directed By: Kiyoshi Kurosawa. Critics Consensus: Bloody horror with barbed wit, Come to Daddy anchors its brutal violence in a surprisingly mature approach to provocative themes.
Directed By: Ant Timpson. Critics Consensus: An action-packed creature feature that's fast, terrifying, and benefits greatly from a completely game Kaya Scodelario, Crawl is a fun throw-back with just enough self-awareness to work.
Directed By: Alex Aja. Critics Consensus: The Exorcist rides its supernatural theme to magical effect, with remarkable special effects and an eerie atmosphere, resulting in one of the scariest films of all time.
Directed By: William Friedkin. Critics Consensus: The Invitation makes brilliant use of its tension-rich premise to deliver a uniquely effective -- and surprisingly clever -- slow-building thriller.
Directed By: Karyn Kusama. Critics Consensus: Smartly constructed and powerfully acted, Hounds of Love satisfies as a psychological thriller with a few nasty surprises -- and marks writer-director Ben Young as a promising talent.
Directed By: Ben Young. Critics Consensus: Thanks to director Zak Hilditch's patient storytelling and strong work from lead Thomas Jane, ranks among the more satisfying Stephen King adaptations.
Directed By: Zak Hilditch. The Abominable Dr. Critics Consensus: The Abominable Dr. Directed By: Robert Fuest. Critics Consensus: House is a gleefully demented collage of grand guginol guffaws and bizarre sequences.
Critics Consensus: Henry: Portrait of a Serial Killer is an effective, chilling profile of a killer that is sure to shock and disturb.
Directed By: John McNaughton. Critics Consensus: Rare Exports is an unexpectedly delightful crossbreed of deadpan comedy and Christmas horror. Directed By: Jalmari Helander.
Critics Consensus: Deeply unnerving and surprisingly poignant, The Orphanage is an atmospheric, beautifully crafted haunted house horror film that earns scares with a minimum of blood.
Directed By: J. Critics Consensus: Though it deviates from Stephen King's novel, Stanley Kubrick's The Shining is a chilling, often baroque journey into madness -- exemplified by an unforgettable turn from Jack Nicholson.
Directed By: Stanley Kubrick. Critics Consensus: The Dead Zone combines taut direction from David Cronenberg and and a rich performance from Christopher Walken to create one of the strongest Stephen King adaptations.
Critics Consensus: Bone Tomahawk's peculiar genre blend won't be for everyone, but its gripping performances and a slow-burning story should satisfy those in search of something different.
Directed By: S. Craig Zahler. Critics Consensus: Duel makes brilliant use of its simple premise, serving up rock-solid genre thrills while heralding the arrival of a generational talent behind the lens.
Directed By: Steven Spielberg. Critics Consensus: Scary, strange, and maybe a little silly, House of Usher represents an early high mark for Vincent Price and a career triumph for director Roger Corman.
Directed By: Roger Corman. Critics Consensus: Full of creepy campfire scares, mock-doc The Blair Witch Project keeps audiences in the dark about its titular villain, proving once more that imagination can be as scary as anything onscreen.
Starring: Heather Donahue , Michael C. Williams , Joshua Leonard , Bob Griffith. Critics Consensus: The Devil's Candy playfully subverts horror tropes while serving up more than enough stylish thrills to satisfy genre enthusiasts.
Directed By: Sean Byrne. Critics Consensus: Carla Gugino carries Gerald's Game's small-scale suspense with a career-defining performance.
Critics Consensus: Kinetically directed by Danny Boyle, 28 Days Later is both a terrifying zombie movie and a sharp political allegory.
Directed By: Danny Boyle. Directed By: Alice Lowe. Directed By: Marcin Wrona. Critics Consensus: Trading gore for grandeur, Horror of Dracula marks an impressive turn for inveterate Christopher Lee as the titular vampire, and a typical Hammer mood that makes aristocracy quite sexy.
Directed By: Terence Fisher. Critics Consensus: Fright Night deftly combines thrills and humor in this ghostly tale about a man living next to a vampire.
Directed By: Tom Holland. Critics Consensus: This intelligent horror film is subtle in its thrills and chills, with an ending that is both shocking and truly memorable.
Directed By: Robin Hardy. Critics Consensus: Nina Forever tests the limits of the rom-com with a decidedly unorthodox triangle that's as diabolically original as it is daringly dark.
Critics Consensus: Thanks to a smart script and documentary-style camerawork, The Texas Chainsaw Massacre achieves start-to-finish suspense, making it a classic in low-budget exploitation cinema.
Critics Consensus: Well-crafted and gleefully creepy, The Conjuring ratchets up dread through a series of effective old-school scares.
Critics Consensus: Elevated by standout performances from James Caan and Kathy Bates, this taut and frightening film is one of the best Stephen King adaptations to date.
Directed By: Rob Reiner. Critics Consensus: Chilling performances and a restrained, eerie atmosphere make this British horror both an unnerving parable of its era and a timeless classic.
Directed By: Wolf Rilla. Directed By: Richard Stanley. Critics Consensus: Similar to the original in all the right ways -- but with enough changes to stand on its own -- Let Me In is the rare Hollywood remake that doesn't add insult to inspiration.
Directed By: Matt Reeves. Critics Consensus: Halloween largely wipes the slate clean after decades of disappointing sequels, ignoring increasingly elaborate mythology in favor of basic - yet still effective - ingredients.
Directed By: David Gordon Green. Critics Consensus: Deliciously campy and wonderfully funny, Theater of Blood features Vincent Price at his melodramatic best.
Directed By: Douglas Hickox. Critics Consensus: Effortlessly mixing scares, laughs, and social commentary, Attack the Block is a thrilling, brisky-paced sci-fi yarn with a distinctly British flavor.
Directed By: Joe Cornish. Critics Consensus: David Lynch's surreal Eraserhead uses detailed visuals and a creepy score to create a bizarre and disturbing look into a man's fear of parenthood.
Directed By: David Lynch. Critics Consensus: Creepily atmospheric and haunting, The Devil's Backbone is both a potent ghost story and an intelligent political allegory.
Directed By: Guillermo del Toro. Critics Consensus: Alternately hilarious, gross, and simply diverting, Housebound is the rare horror-comedy that delivers on both fronts.
Directed By: Gerard Johnstone. Critics Consensus: Smart, powerfully acted, and devilishly clever, We Are Still Here offers some novel twists on familiar territory -- and heralds the arrival of a major talent in writer-director Ted Geoghegan.
Directed By: Ted Geoghegan. Critics Consensus: Combining a deadly thriller plot with the stylized violence that would become his trademark, The Bird with the Crystal Plumage marked an impressive horror debut for Dario Argento.
Critics Consensus: Decades later, it still retains its ability to scare -- and Lon Chaney's performance remains one of the benchmarks of the horror genre.
Directed By: George Waggner. Critics Consensus: One of the most compelling and entertaining zombie films ever, Dawn of the Dead perfectly blends pure horror and gore with social commentary on material society.
Critics Consensus: A classic. Directed By: Rouben Mamoulian. Critics Consensus: Shaun of the Dead cleverly balances scares and witty satire, making for a bloody good zombie movie with loads of wit.
Directed By: Edgar Wright. Critics Consensus: The Endless benefits from its grounded approach to an increasingly bizarre story, elevated by believable performances by filmmakers Justin Benson and Aaron Moorhead.
Critics Consensus: Don't Breathe smartly twists its sturdy premise to offer a satisfyingly tense, chilling addition to the home invasion genre that's all the more effective for its simplicity.
Critics Consensus: Perfectly mixing humor and horror, the only thing more effective than Re-Animator's gory scares are its dry, deadpan jokes.
Directed By: Stuart Gordon. Critics Consensus: Wickedly funny and featuring plenty of gore, Zombieland is proof that the zombie subgenre is far from dead.
Directed By: Ruben Fleischer. Critics Consensus: It Comes at Night makes lethally effective use of its bare-bones trappings while proving once again that what's left unseen can be just as horrifying as anything on the screen.
Directed By: Trey Edward Shults. Critics Consensus: Bela Lugosi's timeless portrayal of Dracula in this creepy and atmospheric film has set the standard for major vampiric roles since.
Directed By: Tod Browning. Critics Consensus: The kinetic camerawork and brutal over-the-top gore that made Dario Argento famous is on full display, but the addition of a compelling, complex story makes Deep Red a masterpiece.
Critics Consensus: David Cronenberg combines his trademark affinity for gore and horror with strongly developed characters, making The Fly a surprisingly affecting tragedy.
Critics Consensus: Wes Craven's intelligent premise, combined with the horrifying visual appearance of Freddy Krueger, still causes nightmares to this day.
Critics Consensus: Relying more on mood and atmosphere than the thrills typical of modern horror fare, Universal's The Mummy sets a masterful template for mummy-themed films to follow.
Directed By: Karl W. Critics Consensus: As populace pleasing as it is intellectually satisfying, The Host combines scares, laughs, and satire into a riveting, monster movie.
Directed By: Bong Joon Ho. Critics Consensus: Train to Busan delivers a thrillingly unique -- and purely entertaining -- take on the zombie genre, with fully realized characters and plenty of social commentary to underscore the bursts of skillfully staged action.
Directed By: Yeon Sang-ho. Critics Consensus: Led by a note-perfect performance from Charles Laughton, Island of Lost Souls remains the definitive film adaptation of its classic source material.
Directed By: Erle C. Critics Consensus: Revenge slices and dices genre tropes, working within an exploitation framework while adding a timely -- yet never less than viscerally thrilling -- feminist spin.
Directed By: Coralie Fargeat. Critics Consensus: The blood pours freely in Argento's classic Suspiria, a giallo horror as grandiose and glossy as it is gory.
Critics Consensus: Ringu combines supernatural elements with anxieties about modern technology in a truly frightening and unnerving way. Directed By: Hideo Nakata.
Critics Consensus: Evocative direction by Jacques Tourneur collides with the low-rent production values of exploitateer Val Lewton in I Walked with a Zombie, a sultry sleeper that's simultaneously smarmy, eloquent and fascinating.
Directed By: Jacques Tourneur. Critics Consensus: The Love Witch offers an absorbing visual homage to a bygone era, arranged subtly in service of a thought-provoking meditation on the battle of the sexes.
Directed By: Anna Biller. Critics Consensus: A B-movie with an A-level commitment to entertain, Harpoon should hit the target with horror fans in the mood for gory, darkly humorous antics on the open water.
Directed By: Rob Grant. Critics Consensus: Employing gritty camerawork and evocative sound effects, Invasion of the Body Snatchers is a powerful remake that expands upon themes and ideas only lightly explored in the original.
Directed By: Philip Kaufman. Critics Consensus: Creepily atmospheric, The Innocents is a stylishly crafted, chilling British ghost tale with Deborah Kerr at her finest.
Directed By: Jack Clayton. Critics Consensus: Successfully mixing the conventions of the teen and horror genres with a twist, Australian director Sean Byrne makes a striking directorial debut with The Loved Ones.
Critics Consensus: Evil Dead 2's increased special effects and slapstick-gore makes it as good -- if not better -- than the original. Directed By: Sam Raimi.
Critics Consensus: Raw's lurid violence and sexuality live up to its title, but they're anchored with an immersive atmosphere and deep symbolism that linger long after the provocative visuals fade.
Directed By: Julia Ducournau. Critics Consensus: This classic low budget horror film combines just the right amount of gore and black humor, giving The Evil Dead an equal amount of thrills and laughs.
Critics Consensus: La Llorona puts a fresh spin on the familiar legend by blending the supernatural and the political to resolutely chilling effect.
Directed By: Jayro Bustamante. Critics Consensus: Stunning visuals from Werner Herzog and an intense portrayal of the famed bloodsucker from Klaus Kinski make this remake of Nosferatu a horror classic in its own right.
Directed By: Werner Herzog. Critics Consensus: Creep 2 has everything that made the original work and more -- more laughs, more awkwardness, more unsettling terror.
Directed By: Jeremy Saulnier. Critics Consensus: Carrie is a horrifying look at supernatural powers, high school cruelty, and teen angst -- and it brings us one of the most memorable and disturbing prom scenes in history.
Critics Consensus: Ambitious, impressively crafted, and above all unsettling, Midsommar further proves writer-director Ari Aster is a horror auteur to be reckoned with.
Directed By: Ari Aster. Critics Consensus: Deliciouly funny to some and eerily presicient to others, The Fly walks a fine line between shlocky fun and unnerving nature parable.
Directed By: Kurt Neumann. Critics Consensus: House of Wax is a 3-D horror delight that combines the atmospheric eerieness of the wax museum with the always chilling presence of Vincent Price.
Critics Consensus: Sam Raimi returns to top form with Drag Me to Hell, a frightening, hilarious, delightfully campy thrill ride. Critics Consensus: A Girl Walks Home Alone at Night blends conventional elements into something brilliantly original -- and serves as a striking calling card for writer-director Ana Lily Amirpour.
Directed By: Ana Lily Amirpour. Critics Consensus: Smart, subversive, and darkly funny, Ready or Not is a crowd-pleasing horror film with giddily entertaining bite.
Critics Consensus: Tigers Are Not Afraid draws on childhood trauma for a story that deftly blends magical fantasy and hard-hitting realism - and leaves a lingering impact.
Critics Consensus: Mandy's gonzo violence is fueled by a gripping performance by Nicolas Cage -- and anchored with palpable emotion conveyed between his volcanic outbursts.
Directed By: Panos Cosmatos. Critics Consensus: Well-acted and fiendishly frightening with an emotionally affecting story at its core, It amplifies the horror in Stephen King's classic story without losing touch with its heart.
Directed By: Andy Muschietti. Critics Consensus: Don't Look Now patiently builds suspense with haunting imagery and a chilling score -- causing viewers to feel Donald Sutherland and Julie Christie's grief deep within.
Directed By: Nicolas Roeg. Critics Consensus: Influential noir director Jacques Tourneau infused this sexy, moody horror film with some sly commentary about the psychology and the taboos of desire.
Critics Consensus: Proving once again that build-up is the key to suspense, Alfred Hitchcock successfully turned birds into some of the most terrifying villains in horror history.
Directed By: Alfred Hitchcock. Critics Consensus: The Wailing delivers an atmospheric, cleverly constructed mystery whose supernatural thrills more than justify its imposing length.
Directed By: Na Hong-jin. Critics Consensus: With four accomplished directors contributing, Dead of Night is a classic horror anthology that remains highly influential.
Critics Consensus: Under the Shadow deftly blends seemingly disparate genres to deliver an effective chiller with timely themes and thought-provoking social subtext.
Directed By: Babak Anvari. Critics Consensus: Lean, suspenseful, and scary, Host uses its timely premise to deliver a nastily effective treat for horror enthusiasts.
Directed By: Rob Savage. Critics Consensus: Smart, solidly crafted, and palpably tense, 10 Cloverfield Lane makes the most of its confined setting and outstanding cast -- and suggests a new frontier for franchise filmmaking.
Directed By: Dan Trachtenberg. Critics Consensus: Peeping Tom is a chilling, methodical look at the psychology of a killer, and a classic work of voyeuristic cinema.
Directed By: Michael Powell. Critics Consensus: As thought-provoking as it is visually compelling, The Witch delivers a deeply unsettling exercise in slow-building horror that suggests great things for debuting writer-director Robert Eggers.
Directed By: Robert Eggers. Critics Consensus: The Cabin in the Woods is an astonishing meta-feat, capable of being funny, strange, and scary -- frequently all at the same time.
Directed By: Drew Goddard. Critics Consensus: Roman Polanski's first English film follows a schizophrenic woman's descent into madness, and makes the audience feel as claustrophobic as the character.
Critics Consensus: A horrific tale of guilt and obsession, Eyes Without a Face is just as chilling and poetic today as it was in Directed By: Georges Franju.
Critics Consensus: A frightening tale of Satanism and pregnancy that is even more disturbing than it sounds thanks to convincing and committed performances by Mia Farrow and Ruth Gordon.
Critics Consensus: Scary, suspenseful, and viscerally thrilling, Halloween set the standard for modern horror films. Critics Consensus: Director Jonathan Demme's smart, taut thriller teeters on the edge between psychological study and all-out horror, and benefits greatly from stellar performances by Anthony Hopkins and Jodie Foster.
In a three-dimensional stereoscopic film , the audience's brains are tricked into believing the images projected onto a flat cinema screen are coming to life in full three-dimensional glory.
Those who came to see a 3-D movie inside a theater were given the familiar disposable cardboard anaglyph 3D glasses to wear which will allow them to see the images come to life.
In April , Warner Bros. The film, which stars Vincent Price , tells a story of a disfigured sculptor who repopulates his destroyed wax museum by murdering people and using their wax-coated corpses as displays.
House of Wax was the film that typecast Price as a horror icon. After the release of that film, Price would be labeled the "King of 3-D" and would later become the actor to star in the most 3D features.
The success of these two films proved that major studios now had a method of getting film-goers back into theaters and away from television sets, which were causing a steady decline in attendance.
Aside from 3-D technology, different forms of promotional gimmicks were used to entice film-goers into seeing the films in theaters. One great example is during the screening of 's The Lost Missile , a science fiction film in which scientists try to stop a mysterious missile from destroying the Earth.
Audiences who saw the film in theaters were given "shock tags" to monitor their vitals during the movie.
They were promised that anyone who would get shocked into a comatose state by the film would get a free ride home in a limousine. Film director and producer William Castle is considered the King of the film gimmick.
After directing a cavalcade of B movies low-budget commercial films for Columbia Pictures in the s, Castle set out on the independent route.
This kind of promotional gimmick would later make him famous. Throughout the promotion of this film, Castle explained that through EMERGO, "ghosts and skeletons leave the screen and wander throughout the audience, roam around and go back to the screen".
Of course, in actuality, a skeleton with glowing red eyes was attached to wires above the theater in order to swoop in and float above audience members' heads to parallel the action on the screen.
In the film, Price breaks the fourth wall and warns the audience that the tingler is in the theater which then prompts the built-in electric buzzers to scare audiences in their theater seats.
The s is also well known for creature feature or giant monster movies. These are usually disaster films that focuses on a group of characters struggling to survive attacks by one or more antagonistic monsters, often abnormally large ones.
The monster is often created by a folly of mankind — an experiment gone wrong, the effects of radiation or the destruction of habitat.
The monster can also be from outer space, or has been on Earth for a long time with no one ever seeing it, or released or awakened from a prison of some sort where it was being held.
In monster movies, the monster is usually a villain, but can be a metaphor of humankind's continuous destruction.
Warner Bros. It then begins to wreak a path of destruction as it travels southward, eventually arriving at its ancient spawning grounds, which includes New York City.
The film is also remembered for its influential stop motion model animation created by visual effects creator Ray Harryhausen.
One of the best movies during these years was Night of the Demon Ray Harryhausen created his own form of stop motion model animation called Dynamation.
It involved photographing a miniature against a rear-projection screen through a partly masked pane of glass. The masked portion would then be re-exposed to insert foreground elements from the live footage.
The effect was to make the creature appear to move in the midst of live action. It could now be seen walking behind a live tree, or be viewed in the middle distance over the shoulder of a live actor — effects difficult to achieve before.
That scene spurred on numerous homages in many horror films  in subsequent years including 's A Nightmare on Elm Street 3: Dream Warriors , 's Army of Darkness and 's Game of Thrones ' Season 4 episode entitled The Children.
Japan's experience with Hiroshima and Nagasaki bore the well-known Godzilla and its many sequels , featuring mutation from the effects of nuclear radiation.
This kickstarted the tokusatsu trend known as Kaiju films , a Japanese film genre that features giant monsters, usually attacking major cities and engaging the military and other monsters in battle.
Other films in this genre that isn't about Godzilla include Rodan and The Mysterians These include Ghost-Cat of Gojusan-Tsugi , and Black Cat Mansion , which tells a story of a samurai tormented by a cat possessed by the spirits of the people she killed.
Filmmakers continued to merge elements of science fiction and horror over the following decades. The Fly is a American science fiction-horror film starring Vincent Price.
The film tells the story of a scientist who is transformed into a grotesque creature after a common house fly enters unseen into a molecular transporter he is experimenting with, resulting in his atoms being combined with those of the insect, which produces a human-fly hybrid.
It was followed by two black-and-white sequels, Return of the Fly and Curse of the Fly The original film was remade in by director David Cronenberg.
Considered a "pulp masterpiece"  of the s was The Incredible Shrinking Man , based on Richard Matheson 's existentialist novel. The film tells the story of a man, who after getting exposed to a radioactive cloud, gets shrunk in height by several inches.
The film conveyed the fears of living in the Atomic Age and the terror of social alienation. It won the first Hugo Award for Best Dramatic Presentation and was named in to the National Film Registry by the Library of Congress for being "culturally, historically or aesthetically" significant.
The independently produced sci-fi film Attack of the 50 Foot Woman was made in The storyline concerns the plight of a wealthy heiress whose close encounter with an enormous alien causes her to grow into a giantess, complicating her marriage already troubled by a philandering husband.
The film has become a cult classic and is often referenced in popular culture. The United Kingdom began to emerge as a major producer of horror films around this time.
Christopher Lee starred in a number of Hammer Horror films, including The Curse of Frankenstein , which Professor Patricia MacCormac called the "first really gory horror film, showing blood and guts in colour".
Horror has been a mainstay of television programming since the s. In the book TV Horror: Investigating the Dark Side of the Small Screen , observed that television has helped shape many generations of horror fans and filmmakers because it provided them their first exposure to cinematic horror as children cowering behind their sofa or peering out from under their blanket  In the s, multiple anthology series that feature suspenseful horror stories were broadcast on television.
The Veil is one notable anthology series that starred Boris Karloff as the horror host and characters in the episodes. Ten of the 12 episodes begin and end with Karloff standing in front of a roaring fireplace and inviting viewers to find out what lies "behind the veil".
Hailed by critics as "the greatest television series never seen", The Veil was never broadcast. Troubles within the studio resulted in production being cancelled after only 10 episodes were produced.
The number of episodes was considered to be too small to justify sale to a network or to syndication. Ten episodes were released to the public in their entirety for the first time in the s, and have subsequently been released on DVD by Something Weird Video.
Premiered in October is the anthology series Alfred Hitchcock Presents which featured dramas, thrillers, mysteries. It was created, hosted, and produced by Alfred Hitchcock , who by had already directed films for over three decades.
Some of the stories in the show were original, some adaptations of writers like H. Wells , and always had knotty twists and often came to macabre endings, as in the 4 December episode "The Case of Mr.
Pelham," in which a businessman is stalked by a perfect double who usurps his life and drives him insane. The Twilight Zone — has become a staple in horror fiction since its premiere in October Although predominantly science-fiction, the show's paranormal and Kafkaesque events leaned the show towards fantasy and horror.
The phrase "twilight zone," is used today to describe surreal experiences. An iconic episode which premiered on 20 November is Time Enough at Last which tells the story of a bank teller who yearns for more time to read and gets his wish when he becomes the sole survivor of a nuclear holocaust.
Other notable horror anthologies in the s include The Vampira Show , which was presented by Maila Nurmi , considered to be television's first horror host , dressed as her iconic campy Vampira character, and 13 Demon Street , which was hosted by Lon Chaney Jr.
Released in May , the British psychological horror thriller film , Peeping Tom by Michael Powell , is a progenitor of the contemporary " slasher film ",  though Alfred Hitchcock cemented the subgenre with Psycho released also in the same year.
Instead, he helped pioneer the art of psychological suspense. As a result, he managed to frighten his viewers by getting to the root of their deepest fears.
France continued the mad scientist theme with the film Eyes Without a Face The story follows Parisian police in search of the culprit responsible for the deaths of young women whose faces have been mutilated.
Meanwhile, Italian horror films became internationally notable thanks to Mario Bava 's contributions. In this film, Bava turned a Russian folk legend into a beguiling fairly tale about a young doctor who finds himself stranded in a haunted community and falls for a woman whose body become possessed by a woman executed for witchcraft.
In the United States, gimmicks continued to be used to entice film-goers into theaters. William Castle 's horror film 13 Ghosts was shot in " Illusion-O ", where audiences were given a "supernatural viewer" that they could wear to see hidden ghosts in the film.
They will need to search the house to find the doctor's fortune, but along with the property they have also inherited the occultist's collection of thirteen ghosts.
In , Castle made Mr. It tells the story of a man whose face becomes frozen in a horrifying grin while robbing his father's grave to obtain a winning lottery ticket.
During the promotion of the film, Castle introduced the "punishment poll" where the audiences decide what happens to Mr. Sardonicus in the film.
All they had to do was hold up a "thumbs up" ballot if they wanted Mr. Sardonicus go free or "thumbs down" if they want to punish him.
Supposedly no audience ever voted for life over death, so the film continues as if the audience's majority verdict was seriously counted.
A "fright break" was featured during the film where the audiences are shown a timer over the terrifying climax. The audiences who are too frightened to see the end of the film are given 25 seconds to walk out of the theater and into the "coward's corner" where they could get a full refund of their ticket and a free blood pressure test.
Before you could see the film inside the theaters, you had to pass a 13 question test that included such questions as " Did you ever do anything seriously wrong for which you felt little or no guilt?
If audiences failed any of the questions they wouldn't be allowed inside the theater. The American International Pictures AIP , in the early 60s, made a series of films based on stories by Edgar Allan Poe , most of which star Vincent Price , who became well known for his performances in subsequent horror films of the time.
Robert Wise's The Haunting is considered by a great many critics, aficionados, and casual fans of the horror genre to be one of the scariest films of all time.
The film is best known for its brilliant use of canted frames, mirror reflections, fish-eye lenses and uncanny sound and image editing.
Roman Polanski made his first film in English with Repulsion , which is considered to be his scariest and most disturbing work. Polanski's "evocations of sexual panic and masterful use of sound puts the audiences' imagination to work in numerous ways".
Horror films of the s used the supernatural premise to express the horror of the demonic. Jack Clayton's The Innocents tell the story of a governess who fears that the children she is watching over are possessed by ghosts haunting the estate they are staying.
A few years later, Roman Polanski wrote and directed Rosemary's Baby , based on the bestselling horror novel by Ira Levin.
The highly influential film tells the story of a pregnant woman who suspects that an evil cult wants to take her baby for use in their rituals.
Meanwhile, ghosts were a dominant theme in Japanese horror , in such films as Kwaidan , Onibaba both and Kuroneko Another influential American horror film of the 60s was George A.
Romero 's Night of the Living Dead Considered to be the first true zombie movie, the film began to combine psychological insights with gore.
Distancing the era from earlier gothic trends, late s films brought horror into everyday life. Low-budget splatter films from the likes of Herschell Gordon Lewis also gained prominence in the s.
Some of Lewis' notorious works include Two Thousand Maniacs! The series centers on a group of teenagers and their dog who go to abandoned places to solve mysteries involving supposedly supernatural creatures through a series of antics and missteps.
The animated series' simple formula had a major impact on future slasher films especially of its portrayal of villains in masks.
The s began a new age for horror films with the transition from "classic" to modern horror. Horror films started to focus more on aggressiveness and ruthlessness while also focusing more on artistic qualities and societal themes.
The s was an era dominated by American horror films. Unlike the past, which was influenced heavily by European film-makers, Americans breathed a new life into the genre.
Modern horror films took the expected roles of characters in the films and changed them. This era changed the usual setting for horror films, using every-day settings.
Along with this came a change from focusing on defeating evil every time to having some instances where good fails before succeeding.
Invincible to human intervention, demons became villains in many horror films with a postmodern style and a dystopian worldview.
Its focus on the psychology of grief was unusually strong for a film featuring a supernatural horror plot. Another notable film is The Wicker Man , a British mystery horror film dealing with the practice of ancient pagan rituals in the modern era.
In the s, Italian filmmakers Mario Bava , Riccardo Freda , Antonio Margheriti , and Dario Argento developed giallo horror films that became classics and influenced the genre in other countries.
The ideas of the s began to influence horror films in the 70s, as the youth involved in the counterculture began exploring the medium.
Romero satirized the consumer society in his zombie sequel, Dawn of the Dead Meanwhile, the subgenre of comedy horror re-emerged in the cinema with The Abominable Dr.
Also in the s, the works of the horror author Stephen King began to be adapted for the screen, beginning with Brian De Palma 's adaptation of Carrie , King's first published novel, for which the two female leads Sissy Spacek and Piper Laurie gained Oscar nominations.
Next, was his third published novel, The Shining , directed by Stanley Kubrick , which was a sleeper at the box office. At first, many critics and viewers had negative feedback toward The Shining.
However, the film is now known as one of Hollywood's most classic horror films. This psychological horror film has a variety of themes: "evil children", alcoholism, telepathy , and insanity.
This type of film is an example of how Hollywood's idea of horror started to evolve. Murder and violence were no longer the main themes of horror films.
In the s and s, psychological and supernatural horror started to take over cinema. Another classic Hollywood horror film is Tobe Hooper 's Poltergeist Poltergeist is ranked the 20th scariest movie ever made by the Chicago Film Critics Association.
Both The Shining and Poltergeist involve horror being based on real-estate values. The evil and horror throughout the films come from where the movies are taking place.
The Amityville Horror is a supernatural horror film directed by Stuart Rosenberg , based on Jay Anson 's book of the same name. It stars James Brolin and Margot Kidder as a young couple who purchase a home they come to find haunted by combative supernatural forces.
The Changeling is a Canadian supernatural psychological horror film directed by Peter Medak. Steven Spielberg 's shark horror film, Jaws , began a new wave of killer animal stories, such as Orca and Up from the Depths Jaws is often credited as being one of the first films to use traditionally B movie elements such as horror and mild gore in a big-budget Hollywood film.
In , Don Coscarelli 's Phantasm was the first of the Phantasm series. A cycle of slasher films began in the s and s with the creation of Halloween by John Carpenter.
Another notable s slasher films are Bob Clark 's Black Christmas Sleepaway Camp is known for its twist ending , which is considered by some to be one of the most shocking endings among horror films.
My Bloody Valentine is a slasher film dealing with Valentine's Day fiction. The boom in slasher films provided enough material for numerous comedic spoofs of the genre including Saturday the 14th , Student Bodies , National Lampoon's Class Reunion , and Hysterical This subgenre would be mined by dozens of increasingly violent movies throughout the subsequent decades.
Sean S. Some films explored urban legends such as " The babysitter and the man upstairs ". Alien , a British-American science-fiction horror film directed by Ridley Scott was very successful, receiving both critical acclaim and being a box office success.
John Carpenter's movie The Thing was also a mix of horror and sci-fi, but it was neither a box-office nor critical hit, but soon became a cult classic.
However, nearly 20 years after its release, it was praised for using ahead-of-its-time special effects and paranoia.
The s saw a wave of gory "B movie" horror films — although most of them were poorly reviewed by critics, many became cult classics and later saw success with critics.
A significant example is Sam Raimi 's Evil Dead movies, which were low-budget gorefests but had a very original plotline which was later praised by critics.
The horror anthology film spawned a series of films in the country over the subsequent decades. Day of the Dead is a horror film written and directed by George A.
Romero and the third film in Romero's Night of the Living Dead series. Vampire horror was also popular in the s, including cult vampire classics such as Fright Night , The Lost Boys , and Near Dark also In , Joe Dante 's seminal monster comedy horror Gremlins became a box office hit with critics and audiences, and inspired a trend of "little monster" films such as Critters and Ghoulies.
Several science fiction action horror movies were released in the s, notably Aliens and Predator Notable comedy horror films of the s include Re-Animator , and Night of the Creeps Henry: Portrait of a Serial Killer is a psychological horror crime film directed and co-written by John McNaughton about the random crime spree of a serial killer who seemingly operates with impunity.
Pumpkinhead is a dark fantasy horror film, which is the directorial debut of special effects artist Stan Winston. In the late s, the horror genre suffered in the television market.
Most viewers leaned toward safe material,  such as soap operas, sitcoms, and fictional tellings of real-life events, and any horror content that did air on television suffered from network censorship, commercial breaks, low budgets, and "cheesy execution.
In the first half of the s, the genre still contained many of the themes from the s. The slasher films A Nightmare on Elm Street , Friday the 13th , Halloween , and Child's Play all saw sequels in the s, most of which met with varied amounts of success at the box office, but all were negatively reviewed by critics, with the exception of Wes Craven's New Nightmare , and the hugely successful film, The Silence of the Lambs The latter, which stars Jodie Foster and Anthony Hopkins , is considered a major horror movie of all times.
Each film touched upon the relationship between fictional horror and real-world horror. Candyman , for example, examined the link between an urban legend and the real horror of the racism that produced its villain.
In the Mouth of Madness took a more literal approach, as its protagonist actually hopped from the real world into a novel created by the madman he was hired to track down.
This reflective style became more overt and ironic with the arrival of Scream In Interview with the Vampire , the "Theatre de Vampires" and the film itself, to some degree invoked the Grand Guignol style, perhaps to further remove the undead performers from humanity, morality and class.
In the novel, The Vampire Lestat , by the author Anne Rice who penned Interview with the Vampire ' s screenplay and the novel of the same name suggests that its antihero Lestat inspired and nurtured the Grand Guignol style and theatre.
Two main problems pushed horror backward during this period: firstly, the horror genre wore itself out with the proliferation of nonstop slasher and gore films in the eighties.
Secondly, the adolescent audience which feasted on the blood and morbidity of the previous decade grew up, and the replacement audience for films of an imaginative nature were being captured instead by the explosion of science-fiction and fantasy films, courtesy of advances made in computer-generated imagery.
To re-connect with its audience, horror became more self-mockingly ironic and outright parodic , especially in the latter half of the s. Peter Jackson's Braindead known as Dead Alive in the United States took the splatter film to ridiculous excesses for comic effect.
Wes Craven's Scream written by Kevin Williamson movies, starting in , featured teenagers who were fully aware of, and often made reference to, the history of horror movies, and mixed ironic humour with the shocks.
The Sixth Sense is a supernatural horror film written and directed by M. Night Shyamalan , which tells the story of Cole Sear Haley Joel Osment , a troubled, isolated boy who is able to see and talk to the dead, and an equally troubled child psychologist named Malcolm Crowe Bruce Willis who tries to help him.
It is a remake of the film of the same title. Monster horror was quite popular in the s. Tremors is the first installment of the Tremors series.
Lake Placid is another monster horror film, written by David E. Kelley and directed by Steve Miner. Another successful horror film is Ring , a Japanese supernatural psychological horror film about a cursed video tape after the person watches it, the phone rings, and someone tells them that they will die in seven days , and directed by Hideo Nakata.
Around this period, Japanese horror started becoming popular in English speaking countries. In South Korea, the success of supernatural horror film Whispering Corridors by Park Ki-hyung, sparked the explosion of Korean horror.
The film The Last Broadcast served as inspiration for the highly successful The Blair Witch Project , which popularized the found footage horror subgenre.
The theme of witchcraft was also addressed in The Witches , starring Anjelica Huston , and The Craft , a supernatural horror film directed by Andrew Fleming.
Wolf is a romantic horror film following the transformation of a man Jack Nicholson into a werewolf. Ravenous starring Guy Pearce and directed by Antonia Bird is a "quirky"  and gruesome movie based on the real life horror story of the Donner party that got stranded in the Sierra Nevada mountains in due to snow.
The decade started with American Psycho directed by Mary Harron starring Christian Bale as a charismatic serial killer and Manhattan business mogul.
The movie was highly controversial when released and remains a cult classic today. The film received mixed reviews from critics. By contrast, Valentine was a conventional horror film.
It had some success at the box office, but was derided by critics for being formulaic and relying on foregone horror film conventions.
The Others was hugely successful, winning and being further nominated for many awards. It is a English-language Spanish gothic supernatural psychological horror film.
It stars Nicole Kidman and Fionnula Flanagan. Sequels, such as Jason X and Freddy vs. Jason also made a stand in theaters. Final Destination marked a successful revival of teen-centered horror and spawned five installments.
Jeepers Creepers series was also successful. Films such as Hollow Man , Cabin Fever , House of Corpses the latter an exploitation horror film written, co-scored and directed by Rob Zombie in his directorial debut and the previous mentions helped bring the genre back to Restricted ratings in theaters.
Van Helsing and Underworld series had huge box office success, despite mostly negative reviews by critics.
Ginger Snaps is a Canadian film dealing with the tragic transformation of a teenage girl who is bitten by a werewolf. Signs revived the science fiction alien theme.
The Descent , a British adventure horror film written and directed by Neil Marshall was also successful. Another notable film is Drag Me to Hell , a American supernatural horror film co-written and directed by Sam Raimi.
The Strangers deals with unprovoked stranger-on-stranger violence. The House of the Devil is inspired by the " satanic panic " of the s.
Trick 'r Treat is a anthology horror film written and directed by Michael Dougherty and produced by Bryan Singer. Black Water is a British-Australian natural horror film.
Another natural adventure horror film is The Ruins , which is based on the novel of the same name by Scott Smith. The story focuses on an Alaskan town beset by vampires as it enters into a day long polar night.
Comic book adaptations like the Blade series, Constantine , and Hellboy also became box office successes.
The Resident Evil video games were adapted into a film released in March , and several sequels followed. Other video game adaptations like Doom and Silent Hill also had moderate box office success.
Some pronounced trends have marked horror films. Films from non-English language countries have become successful. The Devil's Backbone is such an example.
A French horror film Brotherhood of the Wolf became the second-highest-grossing French language film in the United States in the last two decades.
Martyrs , a French-Canadian horror film, was controversial upon its release, receiving polarizing reviews.
Another notable film is The Orphanage , a Spanish horror film and the debut feature of Spanish filmmaker J. Shutter is a Thai horror film which focuses on mysterious images seen in developed pictures.
Cold Prey is a Norwegian slasher film directed by Roar Uthaug. Another trend is the emergence of psychology to scare audiences, rather than gore. The Others proved to be a successful example of a psychological horror film.
A minimalist approach which was equal parts Val Lewton's theory of "less is more", usually employing the low-budget techniques utilized on The Blair Witch Project , has been evident, particularly in the emergence of Asian horror movies which have been remade into successful Americanized versions, such as The Ring , The Grudge , Dark Water , and Pulse In March , China banned the movies from its market.
What Lies Beneath is a supernatural horror film directed by Robert Zemeckis , starring Harrison Ford and Michelle Pfeiffer as a couple who experience a strange haunting of their home.
The psychological horror film, was released in , it is based on Stephen King's short story of the same name.
The films I Am Legend , Quarantine , Zombieland , and 28 Days Later featured an update of the apocalyptic and aggressive zombie genre.
The latter film spawned a sequel: 28 Weeks Later An updated remake of Dawn of the Dead soon appeared as well as the zombie comedy Shaun of the Dead and Spanish -Cuban comedy zombie film Juan of the Dead This resurgence led George A.
The Australian film Wolf Creek written, co-produced, and directed by Greg McLean revolves around three backpackers who find themselves taken captive and after a brief escape, hunted down by Mick Taylor in the Australian outback.
The film was marketed as being "based on true events", the plot bore elements reminiscent of the real-life murders of tourists by Ivan Milat in the s, and Bradley Murdoch in , and contained more extreme violence.
An extension of this trend was the emergence of a type of horror with emphasis on depictions of torture, suffering, and violent deaths, variously referred to as "horror porn", "torture porn", "splatterporn", and "gore-nography" with films such as Ghost Ship , The Collector , Saw , Hostel , and their respective sequels, frequently singled out as examples of emergence of this subgenre.
Cloverfield is another found footage horror film. The Mist is a science-fiction horror film based on the novella of the same name by Stephen King.
Antichrist is an English-language Danish experimental horror film written and directed by Lars von Trier , and starring Willem Dafoe and Charlotte Gainsbourg.
The Exorcism of Emily Rose is a legal drama horror film directed by Scott Derrickson , loosely based on the story of Anneliese Michel.
The Children is British horror film focusing on the mayhem created by several children. Another British horror film is Eden Lake. Remakes of earlier horror films became routine in the s.
In addition to the remake of Dawn of the Dead , as well as the remake of both Herschell Gordon Lewis ' cult classic, Maniacs , and the remake of Tobe Hooper 's classic, The Texas Chainsaw Massacre , there was also the Rob Zombie -written and -directed remake of John Carpenter's Halloween.
It was negatively reviewed by most critics,   but was a success in its theatrical run, spurring its own sequel.
This film helped to start a "reimagining" riot in horror filmmakers. The film, Carrie , saw its second remake in , which is the third film adaptation of Stephen King 's novel of the same name.
Child's Play saw a sequel with Curse of Chucky , while Hellraiser: Judgment become the tenth installment in the Hellraiser film series.
Halloween is a slasher film which is the eleventh installment in the Halloween film series , and a direct sequel to the film of the same name , while effecting a retcon of all previous sequels.
The Evil Dead is the fourth installment in the Evil Dead series , and serves as a soft reboot of the original film , and as a continuation to the original film trilogy.
Serialized, found footage style web videos featuring Slender Man became popular on YouTube in the beginning of the decade.
Such series included TribeTwelve , EverymanHybrid , and Marble Hornets , the latter of which has been adapted into a feature film.
Slender Man is supernatural horror film, based on the character of the same name. The character as well as the multiple series is credited with reinvigorating interest in found footage as well as urban folklore.
Also, many popular horror films have had successful television series made: Psycho spawned Bates Motel , The Silence of the Lambs spawned Hannibal , and both Scream and Friday the 13th had TV series in development.
You're Next and The Cabin in the Woods led to a return to the slasher genre. The latter was intended also as a critical satire of torture porn.
Hell Fest and Haunt are also slashers set on Halloween night. Scary Stories to Tell in the Dark is based on the children's book series of the same name by Alvin Schwartz , and is set in , in the small town of Mill Valley, Pennsylvania, starting on Halloween night.
The Green Inferno pays homage to the controversial horror film, Cannibal Holocaust The Australian psychological horror film, The Babadook directed by Jennifer Kent received critical acclaim and won many awards.
It Follows subverted traditional horror tropes of sexuality and slasher films and enjoyed commercial and critical success.
The Conjuring Universe is a series of horror films which deal with the paranormal. Sinister is a British-American supernatural horror film directed by Scott Derrickson and written by Derrickson and C.
Robert Cargill. Insidious is another series of supernatural horror films and includes Insidious , Insidious: Chapter 2 , Insidious: Chapter 3 , and Insidious: The Last Key The Witch is a historical period supernatural horror film written and directed by Robert Eggers in his directorial debut , which follows a Puritan family encountering forces of evil in the woods beyond their New England farm.
Get Out received universal acclaim from critics and audiences alike. Its plot follows a black man who uncovers a disturbing secret when he meets the family of his white girlfriend.
A Quiet Place is a critically acclaimed post-apocalyptic science-fiction horror film with a plot that follows a family who must live life in silence while hiding from extraterrestrial creatures that arrived on earth on fragments from their exploded home planet, and which hunt exclusively by sound.
Annihilation is another successful science-fiction horror film. Hereditary follows a family haunted after the death of their secretive grandmother.
Midsommar , also by Ari Aster who directed Hereditary , is a folk horror film which follows a group of friends who travel to Sweden for a festival that occurs once every 90 years, only to find themselves in the clutches of a pagan cult.
Assassination Nation follows a group of teenage girls who are targeted in a social media witch hunt that spills the darkest secrets of the entire town's residents, leading to mass riots and violent killings among the citizens.
The film is a socio-political horror thriller that attempted to address issues such as toxic masculinity , trigger warnings , slut-shaming , sexism , violence against women and transphobia.
Films such as Brightburn , The Prodigy , Freaks , Eli , Wildling , are centered on children with uncharacteristic powers or traits.
Art and creation are explored in Bliss and Velvet Buzzsaw Survival horror is present in films such as Sweetheart , Crawl , 47 Meters Down , and its squeal, 47 Meters Down: Uncaged Get Out addresses modern racism and the concept of slavery by following an African-American man as he makes a chilling discovery regarding his white girlfriend's upper-class family.
Peele's sophomore film, Us , addresses social class and privilege as it follows a family terrorized by their murderous doppelgängers.
Various themes were addressed in the horror of this period. It just makes the experience all the more terrifying.
Actor-turned-first-time-director John Krasinski shows an almost Hitchcockian command of tension as the slightest creak or spillage can bring slathering hell-beasts raining down from the surrounding countryside.
Emily Blunt, meanwhile, steals the show in front of the camera: the childbirth scene, in particular, will never leave you.
Blunt and co will reprise their roles for the sequel, which also adds Cillian Murphy and Djimon Hounsou to the cast, and which is due in Wolfing around The best teenage werewolf movie, period.
A word of warning, though: the unnecessary sequels are best avoided. Buy, rent or watch 'Ginger Snaps'. This is a film of lurking shadows and creeping gloom, unfashionably cosy in its dedication to the Victorian tradition of ghostly goings-on.
Buy, rent or watch 'The Fog'. By solving the puzzle, Frank enters the world of exquisite cruelty presided over by Pinhead Bradley and his fellow Cenobites — glamorous sadists with a penchant for ripped flesh and transcendent pain.
Buy, rent or watch 'Hellraiser'. Buy, rent or watch 'Black Sunday'. Anticipating many now familiar conventions, Clark cranks up the level of threat through his pioneering use of prowling shots from the psycho killer's point of view, reinforced here by a discordant sound design.
Buy, rent or watch 'Black Christmas'. Buy, rent or watch 'Aliens'. Thank goodness! What a tragedy it would have been to lose this deliciously ghoulish comedy of manners.
Its inmates, the Femm family, are quite frankly bonkers. Upstairs, their year-old dad is bedridden and Saul their pyromaniac brother is locked in the attic, while Morgan the mad butler Karloff is getting fighting-drunk in the kitchen.
When a coroner is called to a small town to inspect the corpse of a maid, he finds a silver coin inserted into her heart. The village is suffering under an ancient curse — and those who speak out about it meet bloody and untimely ends.
A tale of hypnotism, hysteria and multiple murder set in a twisted, folksy German landscape filtered through the disturbed imagination of a madman, its fractured landscapes reflect the shattered psyche of a nation in defeat, but they also prefigure the greater horrors to come.
And almost a century later, at least one sequence here remains genuinely frightening: the midnight attack on a helpless young woman by a shambling, somnambulant strangler.
Hate crime If every generation gets the zombies its deserves, what would ours be like? The disease quickly spreads through the British population, turning people into berserk zombies.
One month later, in a London hospital, bicycle courier Jim Cillian Murphy wakes up from a coma, to find London cloaked in an unearthly silence.
There are scenes here that will send a shiver down your spine, such as the swarm of rats running in terror from an approaching undead horde.
Buy, rent or watch '28 Days Later But producer Hal E Chester insisted the flaming beast make two personal appearances to bookend this tale of an American psychologist, Dr Holden Andrews , a world-renowned paranormal sceptic.
But the French-born director knew his business and elsewhere gives an object lesson in frightening the audience out their seats with the mere placing of a hand on a banister.
Scriptwriter Charles Bennett was likewise enraged by the demon: "If [Chester, the producer] walked up my driveway right now, I'd shoot him dead.
Vive le difference! The imaginatively gruesome killings and chase scenes come thick and fast and the nerve-jangling sound design exacerbates the tension, making it virtually unbearable.
Then, with one staggeringly ill-judged and gob-smackingly offensive plot twist, the entire film falls apart. Buy, rent or watch 'Switchblade Romance'.
Soul-sucking spectres appear online and spread like a virus. Withdrawing from the world, they become lethargic, depressed and ultimately suicidal. Tokyo slides towards a state of spiritual decay and social entropy.
But this is merely a loose framework within which Fulci goes all out to upset and horrify his audience: faces melt inexplicably, tarantulas rip out human tongues, zombies rise from the grave, eyes are repeatedly torn out.
The result is more accurately nightmarish than almost any other film on this list, a true descent into the depths of meaningless, unpredictable, terrifyingly beautiful horror, with a scorpion-sharp sting in the tail.
A surprise entry on our list, this appallingly titled micro-budget Australian offering made waves at the SXSW film festival in , then promptly vanished off the radar.
Told in mock-doc style, the film recounts the eerie, possibly supernatural events that occurred in the remote Aussie town of Ararat following a tragic drowning at the local reservoir.
Buy, rent or watch 'Lake Mungo'. There are strong ties to the genre: Robert Mitchum plays Harry Powell, a murderous preacher whose pursuit of hidden booty leads him to hunt down a pair of hapless orphaned children through a mystical Southern dreamscape.
Buy, rent or watch 'The Night of the Hunter'. First, there are the grotesque characters, each horrific enough in their own way, from the boo-hiss headmaster Paul Meurisse to his nervy wife Vera Clouzot and bullish mistress Signoret.
Buy, rent or watch 'Les Diaboliques'. Whatever you witness The jolts on offer are up there with the best of them, and lesser filmmakers are still trying to mimic the chilling last shot.
Dreyer spun his cinematic nightmare from two stories from a Sheridan Le Fanu collection. It stars Nicolas de Gunzburg a Russian aristocrat who bankrolled the film, appearing under the alias Julian West as an occult-obsessed young man who visits a French village haunted by a vampire.
The lord of the manor dies and his young daughter is gravely ill, bite wounds to her neck. Buy, rent or watch 'Vampyr'.
Where did our love go? The rest of the film is powerful stuff — Bervoets plays a young man whose girlfriend is snatched at French truck stop by serial murderer Donnadieu, an otherwise ordinary family man.
Unwilling to let the love of his life slip away, the young man finally tracks down his nemesis… and is offered a terrifying choice. Buy, rent or watch 'The Vanishing'.
Child star Haley Joel Osment what happened to him? Buy, rent or watch 'The Sixth Sense'. In this case he was on his uppers — flat broke in London — and was offered the chance to make a horror film.
Has there been a more dread-filled study of mental collapse? Catherine Deneuve plays a repressed young Belgian woman, Carole, who lives in London with her sister and works as a manicurist.
All around Carole, London is upbeat, going places. The youth are about to quake. In her flat cracks appear in the walls and Carole drifts off into fugues and finally psychosis.
The noise of everyday life is deafening, Polanski piercing the subconscious to poke at what lies beneath. Buy, rent or watch 'Repulsion'.
Inspired by the birth of his own child Jennifer, Lynch creates a mood of near-unbearable, panicky fear, depicting the sprog in question as more a fleshy hot water bottle than an actual human baby.
Buy, rent or watch 'Deep Red'. As well as the cold, the dark and the claustrophobia, they find ancient, blind and ferocious predators with a highly evolved sense of smell.
As the women fight to survive, they must also cope with their own half-buried secrets: betrayals surface, tensions explode and loyalties disintegrate.
Still grieving for her husband and daughter, Sarah Macdonald is driven to the edge of madness by this blend of terror and suspicion. Buy, rent or watch 'The Descent'.
This is a great horror film about the horror of cinema itself. Buy, rent or watch 'Peeping Tom'. It is possibly the scariest scene in cinema history: spoiler alert!
Everyone who has watched the video, so the story goes, dies seven days later. The tales themselves vary in quality, but the talent involved — the cream of Ealing — remains impressive.
For this story, a husband Michael is possessed, dragged into the mirror and inspired to try and kill his wife Withers. Horror disappeared from cinemas during the war, so this marked a return to screens for the genre.
The scares here are incremental and subtle, driven not by outright terror but by doors that close themselves or pianos that play on their own.
This is mature psychological horror, built on intelligence and an alluring, solid foundation of old-fashioned craft.
Buy, rent or watch 'The Others'. You don't want Hannibal Lecter inside your head. Buy, rent or watch 'The Silence of the Lambs'.
Buy, rent or watch 'The Tenant'. Cold, creepy and compelling, this is a small film from a massive talent. Buy, rent or watch 'The Devil's Backbone'.
Buy, rent or watch 'Possession. In a decisive and unexpected break from his then-popular goofy-dweeb persona, Robbins plays Jacob, a worn-out war veteran whose mind begins to fragment once the conflict is over.
Is he going crazy, or are there darker forces at work? Buy, rent or watch 'Jacob's Ladder'. After witnessing the barbaric practices of an Amazonian tribe, sensation-seeking American documentary filmmakers develop a taste for rape and murder.
For all its graphic depictions of cruelty and torture, the most appalling thing about this cannibalistic carnage is the laughable way that it purports to condemn the exploitative violence that it so obviously delights in depicting.
Buy, rent or watch 'Cannibal Holocaust'. Effectively imprisoned by her father, who feels responsible for the car accident in which she was disfigured, the infantilised Christiane is like a caged baby bird waiting to find its wings.
There were reports of audience members fainting during the facial surgery scenes, but for Franju this was a tale of anguish rather than a horror movie per se.
Buy, rent or watch 'Frankenstein'. He is not impressed by the pagan bacchanalia, though is rather smitten with lusty landlord's daughter Willow Ekland.Bei einigen Filmen fällt Was Kostet Tv Now Plus eindeutige Kategorisierung jedoch schwer, wie beispielsweise im Fall von Carrie — Des Satans jüngste Tochter ; Regie: Brian De Palmawelcher ebenso gut in die Kategorie des Ich Bin Verheiratet als auch des Psychologischen Zu Hause Im Glück eingeordnet werden könnte. John Zacherle, Das Rätsel der unheimlichen Maske Logo. Awards Nosferatu Phantom der Nacht. Einer der kultisch verehrten Horrorklassiker überhaupt. Nächte des Grauens deutscher Schriftzug. Verleih Szene aus "Saw".